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really liked it
Y’all younguns probably knew the acronym TEOTFW was the End of the Fucking World. Cute. Like the YA novel TTYL. I had this on my TBR list for a long time, had tried and failed to get it through my library system and forgotten altogether what it was about. At first glance it looks a bit like the simply and sketchily drawn diary comics I had just read, Jeffery Brown- and Charles Schultz-influenced. Looks like–and is–a coming-of-age story for two disaffected teens, James and Alyssa.
Then it turns
English review at the bottom
Todo cómic esta compuesto por dos aspectos: historia y dibujo, y en este caso ambos tienen mucho potencial que en realidad nunca llega a ser explotado.
Vamos primero por la historia (y personajes). Dos adolescentes escapan de casa y terminan siendo víctimas de la Ley de Murphy aderezada con sangre y satanismo. Si bien mi “resumen” es bastante escueto, representa bien lo que pasa en el cómic y hasta suena interesante ¿Qué es lo que sale mal? La falta de desarrollo, ta
really liked it
TEotFW reads like an updated, rougher version of Terrence Malick’s 1974 masterpiece Badlands. While Malick’s movie is narrated by a teenage girl who runs away with a charming but violent young greaser, Charles Forsman’s comic book alternates the perspectives of its two young runaway protagonists. In both cases the narration is at the same time strikingly honest and fatally inept, and in both cases the female teenager turns a blind eye on the increasingly antisocial and brutal behavior of her mal
Forsman’s artwork is clearly influenced by early newspaper strips such as Gasoline Alley and Thimble Theatre, but has a cruder, grittier, more basic edge that reminds me of contemporary alternative cartoonist Jeffrey Brown. The artwork perfectly matches the protagonists’ bleak lives and abrasive, unsophisticated mindsets.